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“Blue Is the Warmest Color features long, graphic sex scenes that are crucial in establishing the all-consuming physical passion that is the foundation of the bond between Adèle and Emma (what U.S. His focal point are each of the lovers’ lips, a reoccurring theme whether he uses a close-up of the characters eating dinner or whether locked in a moment of passion, but his infatuation points towards an interesting overall theme that the lips are the focus of not only their sexual identities but also nourishment and the linguistic center of human nature.” -Sean Hutchinson, Criterion Cast
Kechiche wisely equates the naked body with classical art, eventually filtered through Emma’s own art that uses Adèle as its muse. “The scenes aren’t merely for titillation, but rather for a non-judgmental extension of the emotional bond formed between two people engaging in a fundamentally natural act on their own. “Yet, the bedroom scenes are a far cry from softcore porn or art-house exploitation: what they show – amid various positions, moaning and exposed flesh (not to mention suggestive oyster slurping, in one playful sequence) - is that sex and love can, in the best cases, become one and the same, uniting two people who might actually have less in common than they believe.” -Jordan Mintzer, THR In the cavalcade of kissing, licking, slapping and moaning that follows, Kechiche makes apparent the intensity of their physical bond, which later enhances the heartbreak caused by watching it fall apart.” -Eric Kohn, Indiewire
“After a brief heterosexual relationship in which she loses her virginity, 15-year-old Adéle (Adéle Exarchopoulos) falls hard for chic art student Emma (Léa Seydoux), and the moment they get the chance to take their clothes off the passion explodes. They moan and grunt and yelp - you know, like people do when they’re having sex.
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“But they don’t talk at all during the insistently unrefined carnal couplings that have earned the film notoriety and free publicity before it even opens Stateside.
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Thus, when the camera rises over the pair of them, locked and prostrated by the eager geometry of soixante-neuf, and floating on a bedsheet of oceanic blue, it is, if anything, a relief to see them as pure bodies, blissed out at full length, and no longer just as heads trapped in closeup and besieged with worries, words, and all the other short-term fripperies that keep us from the epic of love.” -Anthony Lane, The New Yorker How can it last? Emma is more worldly and less woundable, but Adèle, like any new recruit to a revolution, believes that it can and must endure. To be blunt, is he not getting off on these women, and arranging them to his own satisfaction? Maybe so, but, in reply, his fans will point to the force and the firepower of the lovers’ intent: a fusillade of cries and clutches, grabs and slaps-a pitch of pleasure so entwined with desperation that we find ourselves not in the realm of the pornographic but on the brink of romantic agony. A strong feminist case could and will be made against ‘Blue Is the Warmest Color,’ alleging that its most naked aspect is Kechiche’s unblinking gaze. And we’re well primed for the movie’s already-legendary set pieces, those extended (borderline hard-core) sex scenes with long takes and wide shots of the lovers as they kiss and suck and duck in and out of crevices and occasionally slap each other on their butts.” -David Edelstein, New York So Emma induces her (at dinner with Emma’s freewheeling gourmand parents) to eat one-quivering in its shell, alive as it slips down Adèle’s throat. They’re a motif in Kechiche’s most heavy-handed but amusing scenes. Here’s how critics are talking, or awkwardly avoiding talking, about the infamous sex scene. Others are more evasive, trying to brush the sex off as old news or focusing on the controversy surrounding the scene instead.
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So how to describe the act itself? In trying to persuade us that we aren’t watching porn, but high art, we find some of our critics dusting off flowery language they probably haven’t used since their undergraduate poetry seminars. The critics widely concur on the cinematic importance of such scenes, agreeing that they are not about audience titillation but are integral to the movie’s emotional power. If you’ve heard anything about Blue Is the Warmest Color, you’ve probably heard about its lengthy lesbian sex scenes.